As with the symphony Haydn is really the father of the piano trio and it was his final Piano Trio in E Flat HXV29 which started the concert. Violinist Malin Broman told the audience that Haydn is their favourite composer and that they were always ready to welcome the delights of a new trio of his to their repertoire. They had now reached 15 out of 43! They played the trio as a rather larger work than it is. He could hardly do other than put his genius into the work, but piano trios were basically a money making venture, which was why he sent this piece to be published in London from Vienna. The Kungsbacka launched the work with grandeur and invested perhaps slightly too much emotion into the slow movement, which Haydn marked “innocentamente”. However, it was interesting to hear the work this way, and they were at one with Haydn’s sense of humour in the spirited Presto Finale.
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